A meta-sitcom is not Bored to Death because mitreflektiert the format. Others do much and also shipments excessive. Rather because constantly explicit and verbalized is a monologue, in which Cheers, Seinfeld etc yet scenically disbanded, was negotiated situational dialogue: the self-evident truths and paradoxes of relationships, their implications for the subject. Sophisticated are Jonathan, George and Ryan (sometimes) in the men's conversation, in the encounters with the women they degenerate to a complete childishness. Your problem (and even somehow the issue of the series) is not so much the wretchedness of the life circumstances, not even primarily the intrusion, and ultimately: simplicity of ökolinken environment, which imposes itself in a way in the foreground, as in really prevented good sitcoms, for good reasons (to escape into the environment, if the figures do not quite succeed: watch in My Name Is Earl , It's Always Sunny in Philadelphia , both overall significant successful course) will be. Rather, they suffer from a consistently turned outward irony that no reflected relationship to the world (as in Seinfeld), but a mere avoidance strategy (from the series in turn derives its redundant structure). Only Zach Galifianakis, of course, worst actor of the three may live a little genuine masochism.
course prepares the other great pleasure to see again ... Ted Danson
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