Thursday, February 3, 2011

überfall Melina Velba

IFF Rotterdam 2011: Love in a Puff, Pang Ho-Cheung, 2010

The very opposite of the current Romkom-stylish, nostalgic melodrama Merry-Go-Round . Even more surface films from Hong Kong. Even more serious, I've done with this particular surface, first, point with the executed quickly wiped and wiped away hand-held camera images, with the frenetic assembly, with the bad habit of three picturesque points of view, what has also made an already looked almost too good. Add to that faux-documentary passages and an eternal piano-violin-bustle on the soundtrack. But at some point interfere here all this any more.
The title refers to the well in Hong Kong to the escalating legal, usually beginning with spatial restrictions on smoking. The cigarette breaks will no longer, but the offices held. Employees of various companies get to know that smoking is the brokerage. found after the first round of talks in greater is because even actually two lovebirds, Jimmy and Cherrie, by living in an ever more easily nicotine impregnated romance.
The script makes only one not much more than any of her sponsors, human-interest story. And the staff does first: It is an advertising man, wearing a black horn-rimmed glasses and drives a black Range Rover, it's a few years older, has a strange nose and works as a beautician. Aspiring Yuppies are both more or less, they gave up their own ambitions, already more or less, and set their hopes on the movie begins in a rich, older, jealous boyfriend. Also, he has still not where he might not really wants to go, if one looks at his style of dress, which has retained something of youthful rebelliousness. The characters, even the minor characters are - with one exception - not devastated, as in Merry-Go-Round , but also in Love in a Puff no one rests in itself, no one is entirely with himself and the in the pure world. A basic uncertainty and a basic dissatisfaction with the present can be seen in the discussions of the smokers round in the cautious, jealous looks that are tossed in the attempts to tear open with horror stories of women, even in the crude jokes about smoking and impotence . In a beautiful scene Cherrie learns that Jimmy's ex-girlfriend has lost to a French colleague. In one extended sequence, she plays with his sexual inferiority complex, perhaps inducing him until the film can be sent in such small scenes much open, it is in the Great unfortunately sometimes a bit clumsy, unique closures. But in this one scene, then the sharp, sometimes almost seeming arbitrary style of the film is suddenly sense.

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