collection of lists that have appeared elsewhere:
What remains of the Year (for cargo):
-20.03. FIRST LOVE (Peter Schreiner) Graz, Schubert Theatre, film and life, the
is -07.07. Carles Puyol
-08.10. UTOPIA (Sohrab Shahid Saless) Berlin, Arsenal Cinema, film and life, you can not
Top 10 of all times (for Splatting Image ):
first An Inn in Tokyo (Yasujiro Ozu, 1935)
Only a silent film made it on the list, only a Japanese film, and finally even a comedy. Itself, this requires are at Inn in Tokyo, these also happen to be most beautiful neo-realist films, see the humorous playfulness of the early and the formalist rigor of late Ozu perfect balance, at the top.
second Cheyenne Autumn (John Ford, 1964)
Only a John Ford on the list and only one Western. Cheyenne Autumn, it is therefore become, because the film on the one hand the entire Ford, his poetics and his sense of humor, his elegance and his physicality and contains the other, its own conditions so radically into question, as no other film I've seen so far.
third Europa '51 (Roberto Rossellini, 1952)
also occur that Rossellini had, it was clear from the beginning. Europe '51 I have selected for a similar reason, such as Cheyenne Autumn: The most is at stake, the film tracks the movement of Ingrid Bergman and makes the leap into the unknown of modern cinema. Who is the Catholic End bothers who believes himself probably secretly still believe in God.
4th A Time to Live and a Time to Die (Hou Hsiao Hsien, 1985)
is certainly A Time to Live and a Time to Die not Hou Hsiao Hsien most complex film, but he is his most personal and also the one who I definitely a fan has made. The most beautiful memories that I know, the most poignant, loving film about childhood and youth. A film whose plot, in retrospect very different gestures, glances and goods rises.
5th Death in the Land of the Encantos (Lav Diaz, 2007)
The newest film on the list. So high partly because Lav Diaz for the Verprechen a new cinema outside the industry, even outside the industry like structures of the world-cinema-festival business einsteht. And of course, because the film is a dark, devastating masterpiece. In general this list is a tendency for dark, devastating masterpiece, and I hope it does not say too much about me.
6th Obsession (Brian De Palma, 1976)
Obsession is also absent on the list for the work of Hitchcock, but the exploits often and not only in this case only in the subsequent explication Brian de Palma's his full potential. Cliff Robertson to come to the Bernhard Herrmann's score unleashed by Venice and loses slowly but surely in control of himself and his world. And his obsession is spreading to the entire movie.
7th Orapronobis - Fight for Us (Lino Brocka, 1989) Lino Brocka
largest film is both legacy and a declaration of surrender of the classical third cinema. The crazy is not worth more than double major enemy, he himself is just as much victims as their opponents. Back a chronicle of terror, which allows only a solidarity with the suffering of ourselves is no longer with the one who suffers.
8th Kiss Me Deadly (Robert Aldrich, 1955)
deconstruction not of, but by Pulp. Mike Hammer in the literary Taken solely by word and transformed into something different, bigger. AI Bezzerides is the best American writer Ralph Meeker and the ancestor of all good action heroes: the world is falling apart, the masculine body its only fixed point. And of course, best ending ever.
9, Utopia (Sohrab Shahid Saless, 1983)
Before I had seen Utopia, I never thought that at some point I even have a German film could my top counter 10. But the screening of Saless' infinitely depressing masterpiece in Berlin Arsenal cinema a few months ago one of the most impressive cinema experiences of my life. After three hours in this formalist-West German Hell is a return to everyday life not so easily possible.
10th I Walked with a Zombie (Jacques Tourneur, 1943)
The most beautiful film of Lewton and Tourneur, Frances Dee amazed about zombies, shadows and Pacific peoples. More pulp, more glory. If I live in any cinematic universe would have to be in the best of classic American B-movies, his characters, the more serious turn out takes, the more insane his plots.
Top 10 Asian films (for critic.de)
first Oki's Movie, Hong Sang-soo, South Korea
second Caterpillar, Koji Wakamatsu, Japan
third Poetry, Lee Chang-dong, South Korea
4th My Name is Khan, Karan Yohar, Indian
5th Uncle Boonmee Who Can Recall His Past Lives, Apichatpong Weerasethakul, Thailand
6th Hahaha, Hong Sang-soo, South Korea
7th Karamay, Xu Xin, China
8th Eyvah Eyvah, Hakan Alguel, Turkey
9th Fire of Conscience, Dante Lam, Hong Kong
10th Intolerance Now, Takahiro Yamauchi, Japan
Top 10 attempts (for the film gazette, has not appeared there):
first Les herbes folles (Alain Resnais)
second Ruhr (James Benning)
third Shutter Iceland (Martin Scorsese)
4th My Name Is Khan (Johar Kahan) (in the original version, not the
gekürzten deutschen Verleihversion)
5. Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul)
6. Eyyvah Eyvah (Hakan Algül)
7. She's Out of My League (Jim Field Smith)
außer Konkurrenz: 8. La Danse (Frederic Wiseman)
8. Weihnachten? Weihnachten! (Stefan Hayn & Anja-Christin Remmert)
9. Survival of the Dead (George A. Romero)
10. Enter the Void (Gaspar Noe)
Dirty Laundry exclusive:
2010 Releases, Top 16
1. Ok-hui-ui yeonghwa (Hong Sang-soo)
2. Kyatapira (Koji Wakamatsu)
3. Shi (Lee Chang-dong)
4. Shutter Island (Martin Scorsese)
5. Vapor Trail (Clark) (John Gianvito)
6th Get Out of the Car (Thom Andersen)
7th My Name Is Khan (Karan Johar)
8th Loong Boonmee raleuk chat (Apichatpong Weerasethakul)
9th Eyyvah Eyvah (Hakan Alguel)
10th She's Out of My League (Jim Field Smith)
11th Bas-Fonds (Isild Le Besco)
12th Guest (Jose Luis Guerin)
13th Hahaha (Hong Sang-soo)
14th Karamay (Xu Xin)
15th Festival (Jean-Claude Rousseau)
16th Road to Nowhere (Monte Hellman)
intolerable:
first Na putu
second The American
third Somewhere
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