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IFF Rotterdam 2011: Story of Wong Fei-hung, Part 1: Wong Fei-hung's Whip That smacks the Candle, Wu Pang, 1949

the one movie I did not miss it, I was fortunate to be able to see on the second day: Wu Pang's founding text of modern martial arts cinema, the first feature film, the professional martial artist occupied while on physical credibility put in the action sequences value.
A nice film is the first part of the longest movie series ever as well. Wu Pang sets a lot of cultural tradition into the picture at the beginning of a dragon dance great detail later then a somewhat slippery dirge, with as much detail, with grundsympathsicher seriousness is presented as a traditional Kung Fu craft, but at the same time developed a dynamic yet robber pistol that is interested in ethics and other moral categories only as a catalyst. According to the tradition-conscious beginning open very soon, the trap doors, staircase railings are discarded them, licking snakes. In between, beautiful Hong Kong Romance: Augenklimpern, flirting, to-the-door listening, even bondage in brothels could admire the late forties in the cinemas of the colony already.
interesting figure Panorama, even the cannon fodder in the supporting roles has individuality, and not only in the facial hair, Kwan Tak-hing has been in the first of 99 movies as the old master that has his guys under control and also has an exposed woman's leg more than a little bit of stumbling ("Let's agree to be like father and daughter "Osae). The battles themselves are indeed appropriate pace, and even here not even entirely sure filmed functional, they can their choreography but still not hide too well, some looks from out correctly after Kung-Fu show tournaments such as the roll as complete when the ground . go
Despite all show values as above all a narrative economy, as in the cinema has long since everything is (not least because I adore so many TV series). In 72 minutes, two complete, independent of each other pretty stories to tell. That the film has similarities to the serial production of Hollywood can be seen even before the brazen Cliff Hanger, which refers to a second part, which I, have to fear, to wait much longer to be Hong Kong as the movie audience 1949th